| BRAHAM
LINCOLN, GENERAL GRANT, EDWARD VII, AND THEODORE ROOSEVELT
were among those who once admired the ancient Egyptian coffins
and mummies displayed at the Niagara Falls Museum in Ontario.
Brought to Canada in the mid-nineteenth century, the collection
languished as fewer and fewer visitors patronized the museum,
which in its final incarnation included the "Daredevil
Hall of Fame" and was housed in an old corset factory.
Despite the apparent quality of the individual coffins and
mummies, no Egyptologist had ever studied them comprehensively
and they were never published. Now, after nearly 150 years
in Niagara Falls, the collection, reinstalled at the Michael
C. Carlos Museum at Emory University, has been rescued from
public obscurity and scholarly neglect.
The
collection-over 145 items, including ten coffins and mummies
along with funerary figures, canopic jars, amulets and
jewelry, bronze sculptures, pottery, basketry, wooden
objects, and relief fragments - dates from the 21st Dynasty
(1070-946 B.C.) to the Roman period (31 B.C.-A.D. 395).
Particularly well represented in this group, the 21st
Dynasty was a period of great artistic achievement in
funerary art. It marked the beginning of the Third Intermediate
Period (1075-656 B.C.), a time of political turmoil and
economic decline that saw control of the country split
between pharaohs reigning in the Delta and the priesthood
of the temple of Amun at Kamak ruling in Thebes. All the
effort that had once gone into creating elaborately decorated
tombs was now concentrated on coffins, the designs on
which have been justifiably compared to stained glass
windows in medieval cathedrals for their complex rendition
of theological concepts in intricate, jewel-like colors.

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NIAGARA
FALLS TO ATLANTA
The Egyptian Gallery contains a most interesting collection
of Egyptian Antiquities and Casts of the principal curios
ever discovered in that country. The Mummies are the only
ones of Royal Personages exhibited in America. One of
the three is the only perfect specimen in the world.
Brochures
for the now-defunct Niagara Falls Museum touted not just
its Egyptian collection, but also "The most interesting
collection of deformities in the world. Some of the most
wonderful Freaks of Nature you will ever have the opportunity
of viewing, Etc." The museum, founded in 1827 by
Canadian natural history enthusiast Thomas Barnett, was
first housed in an old brewery. As it grew, it added to
its holdings a shell and coral collection made by Harvard
biologist Louis Agassiz, a humpback whale skeleton, a
77-foot diameter slab of a redwood tree trunk displayed
at the 1901 Pan American Exposition, a saddle used by
Wild Bill Hicock, a five-legged pig and two-headed calf,
and barrels used by daredevils who braved the falls.
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Most
of the mummies and coffins were purchased in Egypt by
a Montreal physician named James Douglas, who then sold
them to Sidney Bamett, the museum founder's son, who acquired
Egyptian objects to appeal to the public's growing interest
in the land of the pharaohs. Douglas recorded in his 1860
journal that he dealt with Mustafa Aga Ayat. The consular
agent for Britain, Belgium, and Russia, Ayat was a key
figure in the antiquities trade at Luxor in the mid-nineteenth
century Taking advantage of his diplomatic immunity, he
acted as a go-between for wealthy tourists and tomb robbers
like the Rassul brothers, whose illicit discoveries included
a cache of royal mummies at Deir el-Bahri near the Valley
of the Kings.
Over
the years, the museum changed hands and locations, its
last home being the Spriella Corset Factory. But the introduction
of casino gambling brought prosperity to Niagara Falls,
and the property's increasing value led the museum's owner
to sell it.
Emory's
acquisition of the collection was made possible by public
support from the Georgia community. In the fall of 1998,
Canadian businessman Bill Jamieson, who had purchased
the museum's collections, announced he was selling the
Egyptian antiquities for $2 million. No Canadian museum
stepped forward to purchase them, and that November we
went to inspect them. We were amazed by the collection's
extent and quality, and Anthony Hirschel, director of
the Carlos Museum, and the board of trustees backed its
acquisition. With a deadline of seven weeks to raise the
money, we received a $250,000 grant early on from the
Forward Arts Foundation, an Atlanta-based organization
that supports the arts in Georgia. But we were running
out of time and had to appeal to the public with the help
of the Atlanta Journal-Constitution. Eventually more than
300 people contributed-from school children, to Atlantans
who pitched in $10, to a museum docent who passed the
hat among friends and netted $15,000. In March 1999, the
sale was completed and two months later, the collection
traveled to its new home.
BENEATH
THE WRAPPINGS
Over the past 25 years, the study of mummies has been
greatly enhanced by new technologies such as CT scanning,
endoscopy, and electron microscopy Application of these
techniques was a priority when the mummies arrived in
Atlanta. We wanted to document how they were mummified,
examine them for evidence of disease or trauma, and get
a thorough understanding of their condition before proceeding
with conservation measures, Between October 1999 and May
2001, nine of the mummies were taken to Emory University
Hospital for X-ray and CT examination. Five of them -
three men and two women, ranging in age from about 20
to about 40 at death-date to the 2st Dynasty, when the
quality of mummification was at its height. Only two of
them, however, had been treated carefully; most had numerous
fractures, the result of rough handling during mummification.
The body of a woman named Taaset was intact enough to
be a candidate for endoscopy, in which a fiberscope was
inserted into her body, enabling researchers to see inside
her. The examination revealed a remarkably well preserved
brain, lungs, and liver that had been left inside the
mummy and provided tissue samples for later study.
The
remains of two young children were particularly interesting.
The mummy of one, named Hori, that had been buried in
a miniature coffin during the 25th Dynasty (767-656 B.C.),
was thought, because of its small size, to be a baby.
X-ray images revealed that it was a child of about two
years, whose legs had been amputated below the knee, perhaps
to allow the body to fit an available coffin. The second
child was about five years old, and there was evidence
that he or she suffered from a cleft palate, a condition
that can cause facial disfigurement, speech impediments,
and, in severe cases, the inability to ingest food. There
are several other documented cases of cleft palate from
ancient Egypt, though they are not common. Two fractures,
one of the skull, and a second just above the knee, may
have beenrelated to the child's death. Traces of gilding
on the face of this mummy suggest it dates to the Roman
period. Little disease, other than dental, could be found
in the mummies, although the well preserved body of a
bearded man of the same era, who was at least 35 when
he died, had evidence of tapeworms, parasites that can
be transmitted by eating infected pork, a likely source
of infection in ancient Egypt.
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